Jack of Ravens

By: Mark Chadbourn

Kingdom of the Serpent: Book 1

For Gordon John Chadbourn (1930–2005)

Visiting the Summerlands


Three women huddle in a dark place, their features swathed in shadow. They work diligently, one spinning threads, one measuring them. The third waits with a pair of shears. And as they go about their business, they sing in high, unsettling voices, of what was, of what is, and of what will be, and their songs change constantly, like the sea, like the sand on the beach.

The Daughters of the Night know this: nothing is as it seems. There are hidden patterns in the weft and weave of human existence. Only one thing can be trusted: the heart; and some threads that bind shall not be broken, however far they stretch across time or space.

Their song begins anew. The shears are poised …

Chapter One



Spectral mist drifted across the rolling grassland. The thin light of approaching dawn filtered through in shades of gold and pink, the whole world glowing as if newly formed. The only sound was the breeze; the stillness that followed a terrible storm had cupped the world in its palms.

Out of the gently shifting fog wandered Jack Churchill, as pale as a ghost, which in a way he was, hair as black as crow’s wings, a face that combined sensitivity and strength, sadness and hope in equal measure. His torn, bloodstained clothes revealed numerous minor wounds. And in his hand he loosely carried a sword that might not have been a sword at all.

He didn’t know where he was going, or from where he had come. Only one thing filled his mind: the image of a young woman with long, dark hair and a face as pale as his own; a name: Ruth; a sense of a deep and powerful love that gave meaning to his existence.

Exhaustion enveloped him, but the malaise went deeper than his weary bones; it felt as though the gentle fog had permeated his head, swaddling memories that only recently had been clear and sharp. He knew his name, that all who knew him called him Church. He recalled the basic details of his life – his work as an archaeologist, his family, his friends, his flat in South London – but the circumstances that had led him to that lonely landscape in such a dire condition were muddled and fading fast.

The grassland sloped away before him. He could smell wet vegetation, perhaps a hint of the sea.

Find a road, his subconscious told him. Hitch a lift. Get away. Get to Ruth, before it’s too late … for her, for you.

As he wrestled with his memory, he glimpsed movement in the drifting white – spectral shapes, there then gone, like circling wolves.

‘Who’s there?’

The echoes of his question were muffled by the fog, but the sound of his voice stirred something in him. He came to a halt and glanced down at the weapon in his hand. His eyes played tricks on him. Though every sensation told him he was holding a sword, for the briefest second he thought he was gripping a strange crystal formation glowing with a powerful blue light. His eyes blurred, static shimmered across his mind and then it really was a sword, the blade imprinted with strange, delicate runes, black against the silvery steel, the pommel an ornately carved dragon’s head.

The incongruity was disturbing; even more troubling was the realisation that he had not considered it unusual until now. Why did he have an ancient weapon? Why all the blood? Had he murdered someone?

His dazed incomprehension was interrupted by an inhuman roar thundering across the landscape. As the hairs prickled on the back of his neck, Church gripped the sword tightly, easily.

Whatever had made the sound was lost in the mist. An animal, Church told himself, though it sounded like no animal he had ever heard before. Uneasy, he slowly backed away from what he thought was the source of the noise. The mist was disorienting, and when the roar came again, it was unnervingly near at hand. Deep tremors accompanied it, as though an industrial machine was pounding away.

Church chose a direction at random and ran down the gradual slope, dodging gorse bushes and outcroppings of lichen-covered rock. By the time he realised he’d made the wrong choice, there were people running somewhere nearby, their fearful shouts punctuating the now-deafening roar. The ground shook so forcefully that Church could barely keep his feet.

Church had only a split second to throw himself to one side as something hurtled towards him. Crashing to the damp grass, he glimpsed a huge, dark mass that felt like a juggernaut whistling by only inches away.

A cry of terrible pain cut brutally short echoed nearby. Church’s unease turned to full-blown anxiety. An enormous shadow fell over him.

Looming above him, the top half lost in the reaches of the mist, was a giant figure that Church estimated must have been at least twenty-five feet tall. Yet it was not, by any description, a man. The legs that shook the ground were made of branches, earth, rocks, creepers and clumps of gorse. With a sound like the ground being torn open, the thing bent down rapidly and Church was confronted by a face constructed from a similar jumble of organic and inorganic matter, red eyes glowing from the depths.

He was rooted for a second too long. Fingers as strong as ironwood clamped around his chest. He felt his ribs start to crack as the giant lifted him off the ground.

Six men brandishing swords, spears and shields ran from the mist to attack the giant. Despite his pain, Church was shocked by their appearance. Five of the men had whitened hair, spiked and tied in ponytails, while the sixth wore a bronze horned helmet. They were all naked from the waist up, their torsos tattooed with blue circles and swirls above loose-fitting tartan trousers.

The warriors brutally gouged out chunks of the matter that made up the giant’s form. Roars of pain and anger followed each assault.

Church was on the verge of blacking out from the pressure on his ribs when the giant finally loosened its grip to defend itself. A voice deep inside him, calm and blue as a summer sky, told him he could launch his own attack. Extending his sword arm, Church was surprised to see the blade now limned with a thin sapphire light that occasionally became tiny dancing flames. He thought he could hear it singing, a gentle susurration that soothed him.

The giant’s red eyes glowed with the intensity of hot coals in reaction to the sword. Church lashed out at its wrist, and wood and rock showered into the air. When its grasp loosened further, Church dropped, landed on his feet and bounded away. With a fierce roar, the giant disappeared into the mist.

The warriors eyed him uneasily as they readied themselves to repel another attack.

‘Who are you?’ Church said breathlessly. ‘What’s going on here?’ His words only served to disturb them further.

The vibrations running up Church’s legs were growing stronger. He turned slowly, waiting. Hidden by the shifting grey, the giant was circling them, its attack strategy more cautious. In Church’s hand, the sword sang soothingly. Eerily, it felt as though ethereal tendrils were flowing from the hilt, easing through his skin and muscle and bone and working their way up his arm.

The roar made Church’s ears ring. An instant later, the giant hurtled out of the mist like a train. As one of the warriors raised his spear, the giant’s mighty fist propelled him through the air, turning his chest to jelly. Another fighter, stunned by the speed and ferocity of the attack, was plucked up, his head torn off with a flick of the giant’s wrist, both parts tossed carelessly aside.

The other warriors were as quick as rats. They scattered, then turned and attacked the giant savagely with fluid motions as they dodged its huge legs, but their weapons made little impact.